Mocha Memoirs Celebrates Women in Horror Month-Carole Ann Moleti

Mocha Memoirs Press has long since celebrated and embraced diversity in speculative fiction. Join us as we spotlight our talented female horror authors throughout the month of February. Follow us on twitter @mochamemoirs to get daily tweets and more.

I never considered myself a horror writer, but one day found that Aramis, the main character in The Ultimate Test, had decided that she didn't want to star in an urban fantasy. She wanted to plunge deep into dark magic and take everyone else with her. As I wrote, I struggled to 
understand where were all this was coming from. 

My nonfiction themes often parallel my fiction writing--and The Ultimate Test was no exception. 

Many of the events in the story are based on real experiences. When I started to scare myself at the intensity of the story, I turned to my fellow horror writer friends for advice and support. 

Writing teacher Michaeala Roessner encouraged me to keep going, to not hold back--that to write compelling fiction an author has to push the limits or their characters won't be interesting and the story will fall flat. My longtime critique partner Andrew Richardson, who writes  supernatural horror, echoed her advice urging me to stay true to the character. Rayne Hall, an 
editor and writer, whose tag line is dark* dangerous* disturbing is an expert on making stories scarier and thus more compelling. Rayne "invites readers to think, to probe their own consciences, to ask themselves what they would have done in this situation, to explore what is right and what’s wrong. The dark corners of the human psyche are far scarier – and more interesting – than chainsaw massacres." 

The Ultimate Test took many years to find a home at Mocha Memoirs Press, likely due to the dark, disturbing, and dangerous protagonist's actions. In my work in progress, a very gritty urban fantasy, I'm finding it easier to turn off my conscience and separate myself from the character—which any writer will tell you is hard to do. Like doting parents, we may give life to them, but inevitably they must make the choices of what to do with it. Mark Cassell, a cross-genre writer like myself sums it up. " There's a darkness everywhere, and as writers we have the tools at hand to show it in its rawest form. We can scare -- indeed, we can horrify -- our readers at whatever level we choose. As long as we're honest."

Thanks to my friends for sharing their insights and their talents with me on a regular basis. Thanks to Nicole Kurtz for giving The Ultimate Test a fine home. Thanks to all of you for celebrating Women in Horror Month with Mocha Memoirs Press. I invite you to share our stories and let us know what you think.

New Release...Avast, Ye Airships! #Steampunk #AwesomeSauce

Have Airship...Will Travel...

Mocha Memoirs Press is excited to present...
AVAST, YE AIRSHIPS! a new anthology featuring 18 stories filled with action, adventure, and steampunk goodness.

In a daring history that never was, pirates roam the skies instead of the seas. Fantastical airships sail the clouds on both sides of the law. Within these pages, you will find stories of pirates and their prey with a few more pragmatic airships thrown in.

With stories ranging from Victorian skies to an alien invasion, there is something for everyone in these eighteen tales of derring-do!

Available now 

via 

Amazon & Barnes and Noble

Avast, Ye Airships!

Beneath the Brass by Stephen Blake

Maiden Voyage by Jeffrey Cook & Katherine Perkins

Colonel Gurthwait and the Black Hydra by Robert McGough

Captain Wexford’s Dilemma by Ogarita

Her Majesty’s Service by Lauren Marrero

A Wind Will Rise by Andrew Knighton

Hooked by Rie Sheridan Rose

Go Green by Ross Baxter

Lost Sky by Amy Braun

Miss Warlyss Meets the Black Buzzard by Diana Parparita

Plunder in the Valley by Libby A. Smith

The Clockwork Dragon by Steve Cook

Adventures of a Would-Be Gentleman of the Skies by Jim Reader

A Clouded Affair by Steven Southard

The Climbers by D Chang

The Steampunk Garden by Wynelda Ann Deaver

Lotus of Albion by Steve Ruskin

And a Bottle of Rum… by K.C. Shaw

MMP Celebrates Women in Horror Month: Carrie Martin

Mocha Memoirs Press has long since celebrated and embraced diversity in speculative fiction. Join us as we spotlight our talented female horror authors throughout the month of February. Follow us on twitter @mochamemoirs to get daily tweets and more.

Carrie Martin (@CarrieBoo33) is a new author to Mocha Memoirs Press, but it a talent in her own right.

When asked how horror influenced her growing up, she replies, "I grew up watching horror movies that crept into my dreams and lured me into dark fictional places. Turns out, life is a horror story, and now the darkness has crept into my writing, too."

You can find Carrie's story and 21 other female horror authors' works in The Grotesquerie, a collection of 22 horror stories, all by women.

We Don't Need Saving-Marcia Colette

Mocha Memoirs Press has long since celebrated and embraced diversity in speculative fiction. Join us as we spotlight our talented female horror authors throughout the month of February. Follow us on twitter @mochamemoirs to get daily tweets and more.

I've been watching horror movies for as long as I can remember. I've seen everything from black and white movies (i.e. The Cabinet of Dr. Caligari) to those filled with gore (i.e. Let the Right One In). One of the biggest differences between then and now is who does the saving. Thankfully, it has become more of the norm for a woman to save herself. Even better, to save the day for everyone.

In the days of B&W movies, women were always the ones who either faint, fall, or have the nervous breakdowns. That was our role. We act weak to make the men look stronger. Braver. It was almost like a rule that we aren't allowed to save ourselves. We always had to fall in the arms of a savior in order to survive.

When reality hits, there's no time for that foolishness, which is why the best horror movies today are the ones that chuck those rules. Alien is the best example of that. We have a strong female character who takes charge of the situation and tries her best to ensure everyone's survival. If everyone had listened to what Lt. Ripley said and not deviate from the plan, they might have actually survived. But, that wasn't the case and not her fault. Poltergeist, the Scream franchise, Let the Right One In, etc. All of these movies have strong female characters who broke the rules when it came to us saving ourselves or others. We do what we have to do in order to survive. That's reality.  

Another eyeopening movies for me was Alien vs. Predator. My first inclination was the woman would die. She had two things going against her. She was female and African American. It's a well-known fact that minorities (African American or otherwise) are always the first to go. After all, someone has to sacrificed to show the heinousness of the monster, right? Anyway, seeing an African American woman come out on top (and she did because unlike the alien, she didn't die) was a huge awakening for me. That's why it will also go down as a turning point for me in horror films. 

Also, don't underestimate women as the villains as I've seen most recently in a movie called Bloodwork. Now, it's not the best horror movie out there, but shockingly enough, it kept me watching because of the evil female doctor. This chick could've been on the cover of the Sports Illustrated Swimsuit Edition. Seriously, she was thatgorgeous. But she was also a monster in her own right because she violated every rule known in drug trials for the sake of her experiment. A pretty face with a heart of volcanic ash. IN the B&W film days, not only was it rare to see a woman so malevolent, but she usually looked like Cruella Deville. You automatically knew she was the bad "guy". Not the case with Bloodwork.

So what does this mean for movies going forward? What changes do I hope to see in future movies? I would like to see more female directors and writers doing horror. If Mary Shelley could do it with such success, I don't see why the next Mary Shelley can't be found in the movies. Not only that, but more diverse females as the heroes wouldn't hurt either.  

Love and Death: A February Horror List

So I'm told that Valentines Day happened or something. I dunno, I kind of just let it walk on by as if I was hiding from a velociraptor in an abandoned restaurant kitchen and hope I don't get a chunk taken out of me, but to each their own.

However, although you can all relax because you don't have to be romantic for another whole year, I've decided to share my go-to list of movies and books that really get the heart pounding and the blood pumping.

Why yes I am sarcastic, why do you ask?

Seriously, whether you believe that a horror movie is a good date or a way to work out your bitter single aggression, love is a great topic for horror. Love is scary, yo. At any second, that person that you've just nuzzled and cuddled with in bed could roll over and knife you in the spleen. That's what intimacy is all about, folks, trusting and loving someone even though they could spleen-knife you at any given moment.

So in honor of that, here's my go-to Valentine's Day horror list:

Movies

My Bloody Valentine – Okay, this is like a given. Mining accidents, Valentine’s Day, and a killer on the loose – sounds like a date night movie to me!

The Lost Boys – The original vampire romance movie. Yes it is, no arguments. Kick back and harken to a simpler time when boys met girls at concerts, and the only thing they had to worry about was accidentally getting hazed into a gang of bloodsuckers at the risk of potentially destroying their own family. There’s something for everyone: comedic elements, vampire gore, great music, nostalgia…plus, the vampires in this movie are kind of like the boy band members of the same era: a type for everyone! Choose your favorite and have your friends do the same – if your choices happen to clash, arm wrestle until there’s a victor! Scream and throw things when they get killed off! Ignore the sequels because nothing will come close to the vampires in the original! Plus, this movie introduced the world to Cry Little Sister, the get-it-on anthem for the undead.

Only Lovers Left Alive - A new addition to the list, and admittedly more horror-oriented than scary. This is more like vampire slice-of-life, though holy god, you guys, this is THE vampire romance movie. Just don't even think about Twilight. This is what the genre should be. Plus there is some carnage here and there, and it's worth it for Tom Hiddleston, Tilda Swinton, and the "She drank Ian!" quote. If you do want something actually romantic, this is your title. Plus, it's so gorgeous to look at and relaxing to watch, you'll thank me for forcing it into your life.

Shivers – The movie for those who want a sexier type of holiday. This film centers on an apartment complex where a parasite that causes uncontrollable lust is on the loose. What chance does rational human logic stand when it’s up against the type of attraction and passion that’s hardwired into the human condition?

Teeth – Also for those who may want something sexier with a bite. Heh. The tale of a girl with an interesting condition, it takes the journey from her devotion to abstinence to discovering an odd sort of sexual awakening and power. Fun fact: a lot of cultures have stories about uh, dental issues in southern regions, dating back hundreds of years. Usually it’s a wizard or witch that afflicts the poor girl with the condition, but those stories are always an interesting read.

May – The classic tale of a girl who just wants to be loved, despite the fact that she’s an outsider and the deck is stacked against her. A great film for those who are feeling bitter about singlehood.

I am Legend – The book ending is much better, but that’s not why it makes the list. This is a GREAT movie for singles to watch, because hey, you think you’ve got it bad? At least you’re not the only known human alive trying to survive in a world filled with monsters. Now things don’t seem so bad, do they?

Friday the 13th – The original is the best, and it may seem a little sideways for a Valentine’s Day movie, but think of it. You don’t have anyone or you don’t get to curl up with someone? Hey, look at what happens to those wild teens that get with someone too fast! Again, now don’t you feel better?

Books

The Hellbound Heart by Clive Barker – A cuddly novella that explores relationships as much as it introduces us to those wacky Cenobites and their puzzle box. What happens when a wife just isn’t feeling the spark between her and her husband? Should she get counseling? File for divorce? Help resurrect her former lover who’s caught in a hellish dimension of pain and pleasure by killing people who are interested in her? Known for exploring the line between pleasure and pain as well as introducing the world to what would become Hellraiser, this book is a quick read and an interesting look into the dark nature of the heart.

Cold Turkey by Nancy A. Collins – We all know I love the Sonja Blue series. For me, this is a fabulous look at how a dark vampire romance might actually go. This has shown up as a short story and as part of one of the books in the main trilogy, but it’s also nice to have it separately because it is one of the best events in that world. Sonja (a “living” vampire and slayer) begins getting interested in Judd, a human, even though she’s usually careful to avoid too much direct interaction with humans. And then The Other (her more vampiric/demonic part) clicks into gear and takes an interest…you’ll have to read to find out the rest. Like a lot of things on this list, not for the faint of heart, but if you’re into vampires acting out, this is definitely for you.

The Moth Diaries by Rachel Klein – Adolescence is a crazy age, especially where friends are involved. This gets listed because it’s a great coming of age story, and while there isn’t any romance per say, I think it really gives a great look into how territorial girls are when it comes to their friends. Set in a boarding school around the 50s-60s, the narrator gets suspicious of Ernessa, the new girl who keeps to herself…except when she takes an interest in the narrator’s best friend Lucy.

Good Neighbors by Holly Black: (Kin, Kith, and Kind)  – The story of a (supposedly) mortal girl with faerie relatives and her fight to figure out what she really is. There are also a lot of great subplots with her circle of friends involving relationships. Would you magically control the guy you were dating if you had the chance? If you knew he was cheating, would you sell your soul and try to kill him? What if you thought you had a strong foundation and found he was sneaking out to be fed from by water nymphs? There’s also an interesting triangle between the lead character’s father, his best friend (a human who was in love with him), and the faerie he ends up marrying because she was there and hot. It's fascinating to see a lot of tried and true faerie happenings set in a modern universe, as well.

Misery by Stephen King – The awesome tale about an uber-fan of an unfortunate writer. What would you do if your favorite person was on your doorstep, and you found out that they were ending the very thing that kept you going? 

Carrie by Stephen King – Another one for singles to feel vindicated by. An awkward girl gets to go to her first high school dance and feel like she might have a shot at a social life…until her psychic powers are awakened. Then she gets the chance to flatten all of those who have made her life hell.

Granted, the list is dark and a little gruesome in places, but since when is love neat and tidy? Sure, we may celebrate with roses and teddy bears, but if you think of it, love is messy. Love has its own shadows.The heart has blood and ventricles and stuff. Love can tip people over the edge, unravel the rational, and destroy lives as much as it can save people. So if you’re going to curl up with a book or a movie this month, why not do it with a title that really explores what love is all about?

And hey, if you're feeling put out or sarcastic or just want a break from the flowers and hearts, this is a great way to take a moment to realize that life is pretty skippy compared to some of the alternatives. 

Selah Janel writes books and tries to keep up with stuff. Check her out at her blog, on twitter, and on facebook.

MMP Celebrates Women in Horror Month: Sumiko Saulson

Mocha Memoirs Press has long since celebrated and embraced diversity in speculative fiction. Join us as we spotlight our talented female horror authors throughout the month of February. Follow us on twitter @mochamemoirs to get daily tweets and more.

Sumiko Saulson's otherworld grittiness and real world horror fiction cuts deep into the reader and bleeds them out in slow, steady storytelling that won't clot or crumble.

"As a disabled woman of color, I find often, the themes commonly found in horror resonate deeply with me. Horror fiction tells the stories of ordinary people facing extraordinary circumstances, tales striving, perseverance, and bravery in the face of difficulty. " -Sumiko Saulson

Read Sumiko's work in Death's Cafe: Ashes and Coffee, available from Mocha Memoirs Press.
Blurb: Death is stalking Berkeley, California in a sleek new jacket and snazzy checkered fedora. Insects and animals collapse in his wake. When the indigent begin to mysteriously die in the streets, the rest of the town is indifferent. Red Montgomery, a nineteen year old black homeless woman, is the only one who can see him. She feels powerless to intervene. But is she?

MMP Celebrates Women in Horror Month: Amy Braun

Mocha Memoirs Press has long since celebrated and embraced diversity in speculative fiction. Join us as we spotlight our talented female horror authors throughout the month of February. Follow us on twitter @mochamemoirs to get daily tweets and more.

Amy Braun (@amybraunauthor) brings fresh, fantastic horror to the table at MMP. We love her works so much, we've published her twice, with a third story coming in Avast, Ye Airships!

Whenever I tell someone I write horror, they give me funny looks. “Really?” they say, “you don’t look like you’d be into that kind of thing.” Vampires, witches, werewolves, zombies, demons, blood, guts, and brain matter– Not everyone’s cup of tea to be sure. But I love it. I have since I was a kid, reading the Goosebump books by R. L. Stine and Choose Your Fate stories, reading fast paced adventures where the main character (or you) would be chased by all kinds of nasties. How could I not love something that made my blood pound and roused my curiosity about what bumps in the night?

But when people look at me, they see a short brunette with innocent eyes and a welcoming smile. I’m one of the last women you might expect to write horror fanatically, and yet when people read my award winning short story Dark Intentions And Blood, they’re stunned at the madness I can unleash. That’s why I’m so proud to be a female horror author. No one suspects us, because it’s not a genre women typically favor. I don’t know why­– horror is simply so much fun to write. Building the suspense as your character enters the haunted house and knowing they won’t escape unscathed. Creating a demon straight from the pits of Hell and unleashing it on the fools who summoned it. Or, in the case of my Mocha Memoir short stories, resurrecting the ghost of a crazed assassin and struggling to contain him again, or searching desperately for your missing fiancée only to find a hotel with more secrets than answers.

Another reason I chose to write horror was because there are so many ways to do it. Call From The Grave was a story I wrote that holds a fairly quick pace near the end, focusing on the main character’s burdens as she endures servitude she didn’t want. Fast paced horror is the kind I do best, since I tend to enjoy horror stories with an explosive ending. That being said, there’s nothing quite like subtle horror. With my second Mocha Memoir short story, Hotel Hell, I aimed for a less life-or-death battles and concentrated on unnerving the reader. I wanted to place them in that hotel, and send shivers up their spine. Granted things got a little insane at the end (I have to be me), but there were no exploding body parts or decapitations or anything truly abrupt or disgusting. The idea was to disturb, and I must have done something right, because I even creeped myself out.

Many of my role models in horror are male. Everyone from Stephen King and Scott Sigler to lesser-known names like David Moody and Alexander Gordon Smith has given me inspiration to continue writing horror. But one can’t forget that a woman created Frankenstein’s monster, one of the most infamous monsters of all time. I have the feeling that no one suspected she was capable of creating such an iconic creature, or that the story would stick with us almost a century after it was written. That’s why I love coming across horror written by women. They surprise you when you least expect it, and aren’t afraid to push the boundaries of their beloved genre. There are women out there like me, who prefer their vampires bloodthirsty and ravenous instead of whiny and disco-balled. We want our werewolves to be savage creatures that lose control at the slightest provocation. We like our haunted houses to be filled with corpses, ghosts, and death-traps.

No one will ever suspect me for writing a violent, twisted genre. That’s why when they tell me so, I smile and simply say, “I know. That’s why I do it.” 

MMP Celebrates Women in Horror Month: Rie Sheridan Rose

Mocha Memoirs Press has long since celebrated and embraced diversity in speculative fiction. Join us as we spotlight our talented female horror authors throughout the month of February. Follow us on twitter @mochamemoirs to get daily tweets and more.

Rie Sheridan Rose (@RieSheridanRose) is MMP's Editor-in-Chief. Here are her thoughts on the importance of horror and the women who write it.

It always amazes me that people seem to feel that horror is the province of the male. After all, one of the first great classics was Mary Shelley'sFrankenstein, first published in 1818. 

"The Yellow Wallpaper" is a psychological horror story that never fails to make me shudder...and it was written by Charlotte Perkins Gilman in 1892.

Shirley Jackson has been cited as an inspiration by Neal Gaiman, Richard Matheson, and Stephen King--who considers The Haunting of Hill House one of the most important horror novels of the twentieth century. My personal favorite is We Have Always Lived in the Castle, which I first discovered as a girl.

Women have just as vivid imaginations as their male counterparts. Why shouldn't we write horror? If you think that women are too sensitive to face the darkness, you've never read Charlee Jacob, or Angeline Hawkes, or Mira Grant, or...you get the idea.

We've got a lot of good stories to get you started here at Mocha Memoirs! From short stories like "Bloody Rain" to series like Death's Cafe or Toil, Trouble and Temptation to anthologies like The Grotesquerie--written by some of those women in horror.

Perspectives in Horror

Hello, from the snow.  Boston is snowed under and plowed under.  Temperatures swing wildly between rain and black ice to sub-zero cold that pierces like a hundred needles.  ‘Hope it’s better wherever you are.

So, this is Women in Horror month.  Alexandra Christian has said she looks forward to a time when no consideration will be given to whether a horror author is male or female.  But, perhaps the form horror takes, in subtle ways, is a reflection of the current state of our culture.  Perhaps most deeply felt of all, in male vs. female perspectives.  The differences aren’t always obvious, but one can’t expect a writer’s perspective on the world and its darkest corners not to be shaped by the attitudes that writer encounters in life, and how he or she connects with life in general.  How and to what extent that difference in perspective manifests in a story is hard to define.

To cite two classic examples of horror:  “Frankenstein,” a horror novel written by a woman, depicts the horror of what happens when a man tries to control life and ends up creating his own destruction when he finds he can’t.  He can’t offer unconditional love, he must control, and so is doomed.  “Dracula,” a horror novel written by a man, takes a very different perspective.  The enemy is ancient and foreign, reaching out from a shadowed corner of a benighted, still-pagan land to despoil the enlightened west.  Men take control and save the day by destroying the evil and saving the women it tries to claim.

Oversimplified of course, but you take my point.  Darkness has an essence of its own and is pretty much the same for all of us.  But, how we approach the darkness at its edges depends greatly on what we feel on a primal level, and on what artificial paths society carves out for us and how we navigate them in coming of age. That’s true in art and music as it is in fiction.  Christina Perri brought her haunting melody “Jar of Hearts” to life in a smoky, sexy, visceral video showing a woman taking back her heart from an alluring ex-boyfriend who is a kind of warlock or incubus, sucking the life out of the women he seduces.  A man couldn’t write a story like that, at least not as effectively.  And, it couldn’t resonate as effectively with a male audience.

https://www.youtube.com/watch?v=8v_4O44sfjM

 

  I remember when the film “Thelma and Louise” came out.  Men were furious that they were being depicted as the enemy.  That film forced society to take a hard look at the everyday horrors and indignities suffered by women from a woman’s perspective.  It was a cultural milestone in the action/adventure genre.  I suppose we’ve yet to see a film or novel that has a comparable impact in the horror genre.  I guess no horror author has crossed the decisive line yet.  Maybe that’s the challenge.

 

 

MMP Celebrates Women in Horror Month: Selah Janel

Mocha Memoirs Press has long since celebrated and embraced diversity in speculative fiction. Join us as we spotlight our talented female horror authors throughout the month of February. Follow us on twitter @mochamemoirs to get daily tweets and more.

I really never thought too much about women who write horror—admittedly, I fell into reading horror genre a little late, and then it was the typical Stephen King, Anne Rice, and whatever best of anthology fell into my lap. Even then, I wasn’t making it a point to really keep track of who wrote what. I just knew I liked certain stories. Even when I fell in love with the genre, I always felt somewhat separated from it, because I didn’t know if I could fully go to a place that was either frightening enough or hardcore enough to be part of the genre. Like a lot of other things, I blamed it on my gender rather than the fact that I needed to get my ass in a chair, start writing, and let myself fail a few times.

Really, I think that’s part of the beauty of Women in Horror Month. Suddenly, there’s a way to look around and say “hey, there are ladies playing in this genre, just like how I want to do.”

Some are authors and filmmakers and the like who already have a lot of stuff out there, and some are newer, which is fabulous. We should be getting the word out, because yes, it’s hard to find the women horror writers at times, but I also think that people forget to look for them. At the very least, if you want to not focus on the gender thing, it also gives a bit of variety by providing lists of titles you may not know about, and discovering new horror titles is always a good thing.

For me, the discovery of two specific horror authors blew my mind right open. I’d been fussing
with a half-attempt at vampire fiction, and while my own story was long and aimless, a friend of
mine who’d been reading what I sent her saw some things that reminded her of Nancy A. Collins. I’d never heard of this author to save my life until one day I received a package in the mail from my friend that contained the first three books in the Sonja Blue series. This was not only my first introduction to Sonja Blue and to what could probably be called an early-ish take on dark urban fantasy, but it was also my first exposure to splatterpunk.

I was stunned. Floored. My jaw was on the ground. Up until that point, I admittedly avoided anything too gory (unless I was writing it), but Sonja was such a great character that I plowed through those books. It was amazing to me the visceral reactions those stories gave me—to this day, Sunglasses After Dark is the only book that’s ever made me vomit. What was even better was that those books were written by a woman, so now I had no excuse to play safe with my own attempts in the genre. In a lot of ways, her presence was there to egg me on, to keep whispering more, more! in the back of my mind when I found myself holding back.

Years later, I was looking for a spooky read one October, and happened to grab Shirley Jackson’s The House on Haunted Hill from a library display table. The newest version of the movie was one I had done design work to in college, though it didn’t really do much for me and I had a hard time seeing Eleanor as any kind of great protagonist.

Two nights later, I was hooked on the book. Eleanor’s emotional state was delicate and ever-changing, and the way Jackson uses ambience and interaction to create tension had me enthralled. What made it better/worse was that the song lyrics used in the books are from a tune I’d performed when I’d studied voice, and their use in the book was just so unbelievably creepy that I really found myself getting freaked out. It’s a slow burn, a real lesson in how to build tension and play with psychological horror. When I got to the ending, I sat there in shock for a good five minutes, before I frantically paged back, trying to figure out what the hell had exactly happened. I love how the book version is much more open-ended, and although Eleanor still isn’t a badass, she’s much more of a grey area than her mousey, do-good, remake equivalent. In a lot of ways, her psychological state is just as chilling as the house. It also made me think back to reading The Lottery in school and how disturbed that story had always left me. There’s something to be said for taking the feminine emotional state and the classic female roles and turning them on their heads, and Shirley Jackson does it beautifully.

For me, that’s what this month is all about. Taking a chance, picking up a new title, and really letting myself be surprised, delighted, and hopefully severely creeped out. It’s not just about celebrating female horror authors—it’s about celebrating really good horror authors.

MMP Celebrates Women in Horror Month: Alexandra Christian

Mocha Memoirs Press has long since celebrated and embraced diversity in speculative fiction. Join us as we spotlight our talented female horror authors throughout the month of February. Follow us on twitter @mochamemoirs to get daily tweets and more.

Alexandra Christian (@LexxxChristian), the Southern Belle from Hell, has been a writer for as long as she can remember. 

Here are her thoughts on horror and its importance to her.

"When I began writing horror, I'd never really considered the fact that I was a woman.  I'd been reading Anne Rice and Poppy Z. Brite for so long that it never occurred to me how special it was for a woman to be writing in this genre.  '

As an author, I’d rather be seen as a person who writes great stories, not necessarily a WOMAN who writes great stories.  

My hope for the future is that someday there won't be consideration of whether the writer is male or female, but whether the writer is producing great work.

Check out Alexandra Christian's amazing paranormal, horror romance series, STRANGE BEDFELLOWS. 

Welcome to The Oubliette.

Cali Barrows has had it with love. After wasting three years with the man she thought was the love of her life, she finds out that he’s been sleeping with his boss. Broken-hearted and bored, Cali’s life had become a string of TV dinners and tawdry romance novels. She wondered where her life was going until she followed the mysterious stranger through the red door and enters a world that few would ever know existed.

The Oubliette is a safe haven for all those creatures that go bump in the night. They cater to a very particular clientele and only those who seek it out may find the red door leading into a dark paradise of otherworldly delights. Together with her vampire hosts, André and Leo, Cali becomes a matchmaker for the undead and unwittingly gets herself into all sorts of mischief, all the while slipping into a decadent world where every sensual desire is fulfilled.

Includes the following STRANGE BEDFELLOWS stories: THREE TO TANGO, HIS PHANTOM CARESS, and DEAD SEXY. Get all three stories in one collection: BEHIND THE RED DOOR in ebook or print.

It's February! Get Ready for Pirates!

February is going to be a HUGE month.

First of all, it is Women in Horror Month. If you haven't heard about this before, Women in Horror Month celebrates the female in what is traditionally considered a male dominated genre. Mocha Memoirs will be posting blogs about this all month, so I am just going to leave that there...

Even more exciting for me, it will see the publication of Avast, Ye Airships! I feel like I am sending my first child off to school to interact with the public for the first time. This anthology has been dominating my thoughts since April--so basically nine months--I guess it is my baby. :)

The manuscript has been turned in. It is a solid mix of adventure, humor, and romance. We have eighteen stories altogether. They come from all over the country, all over the UK, even as far away as Romania.

Steampunk, Airships, Pirates--what else can you ask for? Coming February 26th.