Showing posts with label vampires. Show all posts
Showing posts with label vampires. Show all posts

Thursday, October 15, 2015

Unusual Settings in Horror: Making Weird Work for You

Like so many people during this month, I'm in the mood for horror and spooky stories. Don't get me wrong, I love the traditional stuff - haunted houses, cemeteries, empty countrysides, creepy small towns, and desolate, winding roads. Sometimes, though, a change of scene can be nice. I love the thought process that Alien was a haunted house movie set in space. Although we're used to the trope of bizarre things happening in modern settings now, Poltergeist was creepy because the hauntings took place in a brand-new subdivision. Look at the diversity in the haunted house industry: there are mazes set in gothic settings and woodland paths, sure, but let's not forget the evil circuses, bogeyman-infested bayous, sinister swamps, macabre meat-packing plants and minimarts, and any other setting you could think of. If it exists, it can be made creepy, I can tell you that from personal experience. Not only does it give a person pause about what's safe and what isn't (which is a huge purpose of horror), but it also makes you appreciate all that can be done with the genre.

I love working with time periods and places that people may not expect the horror genre to touch. What's great about writing is that what seems obvious to me may not be obvious to Fred down the street, or vice versa. All our different interests and experiences lead to some really different, interesting titles. And if they're creepy as hell, even better.

I grew up near the woods. Either I had friends who lived on a decent amount of land or we were near enough to always be hiking through different state parks, and it wasn't unusual that evening drives took us down winding roads where trees looked like they wanted to tear right through the guardrail and get at the cars that passed them by. While forests are peaceful, there's also something inherently claustrophobic about them, especially at night. It's easy to get lost in the trees, and also very easy to be taken unawares, especially by something stronger or more animalistic than you are.

I'm also a history nerd, and I love tales of pioneer America, people working hard to survive and care for their families, doing what they can to stay just a little bit ahead. Their sense of community, faith, morals, and family could be unshakable. At the end of the day, though, they were at the mercy of nature or whatever else life threw at them.

Naturally, that combination just made me want to mess with fictional pioneers and see what would bring a hearty cast to their knees.

Yeah, I wonder about me, too.

Essentially, it's the same kind of logic that made War of the Worlds so terrifying at the time it came out - what if there was something that you just couldn't fight? Remember, the original wasn't the Tom Cruise fest with modern, easy outs. There was a much bigger gap between alien technology and everyday people. In my own work, I wanted to play with people's natural superstitions, and something that might actually be found in the woods, which can be a dangerous and creepy place, anyway. I've also always been interested in lumber culture because I have weird interests, and the term mooner took me by surprise. It's not used often, and I've not seen it filled out very much, other than to allude to some mythical creature that haunts the woods.

Bingo.

That could be a lot of things, and I suppose the obvious choice would have been werewolves, but I really liked the idea of mooners as vampires. After all, in a time period where you're forced to depend on those around you, what happens when your neighbors aren't exactly trustworthy and there's no one else for miles, and travelling miles could take days?

At the end of the day, setting and time period don't really matter. Our fears are primarily the same, we're still wired the same as humans, and react the same way to fear. The fun comes in the research, when you can find specifics to a time period or place that you can play with in your story, making things even harder for your characters and fun for your readers.

It's a lot to think about and a lot to work with. At the end of the day, I'm happy with how the story turned out, but whether it's effective or not is ultimately up to the readers.

So how bout you? What are your favorite unusual settings or time periods in horror?


Historical Horror/Vampire

Like many young men at the end of the 1800s, Bill signed on to work in a logging camp. The work is brutal, but it promised a fast paycheck with which he can start his life. Unfortunately, his role model is Big John. Not only is he the camp’s hero, but he’s known for spending his pay as fast as he makes it. On a cold Saturday night they enter Red’s Saloon to forget the work that takes the sweat and lives of so many men their age. Red may have plans for their whiskey money, but something else lurks in the shadows. It watches and badly wants a drink that has nothing to do with alcohol. Can Bill make it back out the shabby door, or does someone else have their own plans for his future?


Thursday, April 16, 2015

Words, Words, Words

Fifty internet points to the person who can tell me where the quote in the title is from.

Last week I had great fun at the Mocha Memoirs Press Twitter party. It's always semi-dangerous, letting bunches of us ornery authors out to play together, but somehow we got some actual promotion and book discussion done, too. As I was talking, I realized in a roundabout way one of the reasons I love being an author.

Words.

Think of how powerful they are, to convey thoughts into speech or text to another person, to put the images in someone's head into something concrete. That's beautiful to me, magical, a kind of blend of literacy and alchemy. They express so much, yet they're often tricky beasts - people do seem to have loads of trouble communicating, after all, and they like to elude us writerly types at times.

Back in the Bronze Age when I studied voice, I also had to lean at least some correct pronunciation of various languages, since my teachers were fond of classical art songs. As a teen, I wasn't overly thrilled at this, but the feel of each new language rolling around in my mouth was lovely. By time I had learned the song in question I always felt terribly sophisticated and grown up.

Disclaimer: Although I took many years of Spanish, I read it better than I converse with it, and although I can sing songs in German, French, Italian, Hebrew, church Latin, and probably some others I'm forgetting, I can't actually speak them. So unless you want really obscure poetic lyrics you won't understand, it's not much of a party trick.

Still, back then it was interesting to compare the rhythms of the English language versions to the originals, to try to figure out what bits matched which aspects of the translation. Obviously, my parents didn't have to worry about me much in high school.

Anywho, that fascination with words carried into my college theatre training - after all, the bard is a master, and there are many others who are just brilliant at crafting a phrase or a picture with words.

And because I also love history, I really have come to love historical terms for things. I have a closet love for antique vulgarities, and I've put that into play in at least one of my titles. With Mocha Memoirs Press, though, this love of language comes out the most in Mooner. You wouldn't think that could happen in a story about 1800's era lumberjacks being stalked by a vampire, but like most inclusive groups, lumberjacks have their own vocabulary.

I think people mistake beautiful language as always having to be eloquent or sophisticated, and that's just silly. Way back in the high school days I sat in on a career day speaker/writer who claimed that if you took away the definition, syphilis was one of the more beautiful words in the English language. I still say it to myself every so often, and he had a point. There's a certain homey quality to lumberjack lingo, and compared to today's slang, it's more amusing than offensive.

It was one of the draws of writing Mooner for me. Not only did I get to explore my love of pioneer America and the vampire genre, but to do it well I also had to dive in and go all the way. It was fun researching the terminology and it soothed some of my ruffled feathers to add a glossary to the MMP rerelease version. After all, what fun are antiquated words if you can't pull them out and startle your friends and family with them?

So, to get you started, here are a few of my favorites. These are real terms thrown around in lumber camps. Even the title is direct from the culture (and as soon as I saw it I knew that I was on the right track with the story. Some times serendipity really does smile on me).

Blanket fever – Staying in bed when the other lumberjacks are up. Sleeping in and being lazy.

Blanket hoist – A hazing for new lumberjacks, as well as a game or punishment. Someone is put in a blanket while everyone else grabs the sides and throws him into the air a few times.

Dozy – Moldy.

Dunghister – A farmer. To call a true lumberjack a farmer is an insult that usually leads to fights.

Fever n’ ague – Fever and ache. It is a term used for various ailments.

Get his teeth fixed – The excuse a lumberjack gives when he goes to see a prostitute or brothel.

Girl house – A brothel.

Hit the pike – To quit a job.

Knock his ears down – To beat someone up.

Pants rabbits – Lice and other body critters.

Pat on the lip – A punch in the face.

Sluiced – To be killed.

Yaps – Crazy.

And of course...

Mooner – A made-up, undefined creature that haunts logging woods.


If you're looking for more fun words, plus an unconventional combination of history and vampirism, well, I can definitely help you out. And while you're at it, leave a comment and tell me what you like about words and language, and what type s are the most fun for you to read. Do you like made-up languages in a fantasy setting? Obscure sayings? Little bits of foreign phrases? I realize I'm opening the door up to a hell of a lot, but since we can generally have semi-decent conversations, what words are pleasing to your eyes and ears in fiction?



Like many young men at the end of the 1800s, Bill signed on to work in a logging camp. The work is brutal, but it promised a fast paycheck with which he can start his life. Unfortunately, his role model is Big John. Not only is he the camp’s hero, but he’s known for spending his pay as fast as he makes it. On a cold Saturday night they enter Red’s Saloon to forget the work that takes the sweat and lives of so many men their age. Red may have plans for their whiskey money, but something else lurks in the shadows. It watches and badly wants a drink that has nothing to do with alcohol. Can Bill make it back out the shabby door, or does someone else have their own plans for his future?



Saturday, June 14, 2014

Various Vampires

So last time I talked a little bit about my personal experiences and interests that led me to write Mooner. I thought this time I'd take a chance to talk about some of the works that inspired my own interest in vampires. In some ways these creatures have almost evolved into their own archetype and they're incredibly versatile. No two works of vampire fiction or film are completely alike - it's like they're malevolent, blood-sucking little snowflakes. Like others who dig the genre, I definitely have my favorites, though. Bizarrely, my favorites also encompass all types of vampires. Admittedly I like vampires who use their teeth, who are seen as a little higher up on the food chain, who are lived-in, so to speak. But, I also expect them to retain something of their humanity. After all, a personality doesn't go away with a life choice change, so the most interesting vampires are the ones who meld the two sides into something else, something more. So, in no particular order...

The Young Brothers series by  Kathy Love - Let's just get the embarrassing one out of the way first. Let me just say I love these harder than a stake through a sternum on a cold morning. Are they as mind-bending as some of the other entries? No. Are they girly and a little guilty pleasure-ish? Yep. Does that change the fact that I adore them. NOPE! What makes these great for me is that they all draw on vampire folklore and turn it on its head. I've read things in these books that I've never seen anywhere else. Fangs for the Memories sees one of the Young bros lose his memory and assume he's back in Regency England - and human. Fangs but No Fangs sees the villain of the first book trying to come to terms with his life choices and balance his vampire side with the rest of his personality. I Only Have Fangs for You deals with the typical vamp playboy bro taking an interest in an unlikely lady who, while a vampire, seemingly doesn't understand how to be one. Her backstory in this is really well done, and there is one of the most excellent vampire romance scenes I've ever read in this book, dealing with the whole shapeshifting to mist cliche. It's just great. Are the endings a little rushed? Sure. Is it silly in places? Yep. Still don't care.

Don't go look at cats on the internet yet. I swear I'll earn my street cred back.

The Vampire Chronicles by Anne Rice - the books that exploded the creature into modern sensibilities. She uses them as a great vehicle for exploring personal doubts, relationships, and the nature of life and morality in general. Plus, the vampires' personalities are so distinct and vast, her books are just a lush playground for the preternatural. I tend to prefer characters like Lestat who's charming capabilities are offset by his sharp sense of manipulation, and Claudia - a fantastic mashup of this bloodlusting creature mixed with a woman trapped in a girl's body, longing for something more. There are some spectacular characterizations in the books, and the vampires set in different periods of history is phenomenal, as well.

The Moth Diaries by Rachel Klein - I'm familiar with the book and not the movie, but this re-imagining of Carmilla is superb. It really captures what it's like to be a girl coming of age, judging and being judged. For me this works in a creepy relationship way better than Twilight because the emotions ring very true and it's a very different sort of vampire relationship. When Ernessa, the new girl, comes to a 1950s boarding school and comes between the friendship of Lucy and the narrator, emotions are slung all over the place. It captures the obsession between young best friends very well, and it's hard to tell at times if Ernessa is something otherworldly or if it's the imaginings of the narrator, fueled by jealousy and growing hatred. In some ways you begin to ask yourself who's more of a vampire: the mysterious Ernessa or the soul-sucking desperate tendencies of the narrator?

Lord of the Dead by Tom Holland - This book is incredible. It makes the concept of Lord Byron as a vampire perfectly believable. Although slow to start, the tension keeps building and building until you reach a particularly gruesome transformation scene. Once turned, Lord Byron's machinations to live forever take some twisted turns, drawing on his relationships in real life. It has all the lush description of an Anne Rice novel with a little more forward momentum and the added benefit of a ton of magnificent source material. It's equally romantic and ruthless, gruesome and glorious, which is everything a vampire should be. There is also a follow-up book called Slave to the Thirst that deals with Stoker, but I haven't gotten to finish that one yet.

The Lost Boys - Anyone who knows me knows this would be on here. This movie is lightning in a bottle. It will never happen again, no matter how many sequels are attempted or knock-offs designed. For one, the blend of comedy and horror is very well-executed and balanced. The look of the film is streamlined and sharp. What I think a lot of people forget, though, is that up until the later parts of the movie you're not necessarily introduced to the lost boys as villains. I mean okay, they're obviously designed to look like bad dudes, but you see them doing things that a lot of teens do. You see them hanging out at home. You almost get something of a backstory to draw you in before everything goes to hell. In a lot of ways, this is a great template for the modern vampire for me. They're using sex appeal and subtle displays of dominance to get their way, run their territory, and presumably lure prey in. They're the people that you want to be noticed by...until you really get to know them. They're not afraid to hunt. They're not afraid to enjoy being what they are. They play by the rules of their kind. Dated as it is, this is a fabulous introduction to vampires for the novice.

The Sonja Blue series by Nancy A. Collins - I will not lie - this is splatterpunk so it is really, really graphic. If you can get past that aspect, it's incredible. There are a lot of elements of urban fantasy as well as horror, and the world-building is incredibly done. Sonja is a "living" vampire - she was turned but not fully killed and has become a slayer who kills the dangerous creatures that hide behind mundane appearances. What you or I may see as a bum or a person shopping could be an ogre or a werewolf. Through it all she's looking for revenge on her sire. What really makes this amazing is that her more vampiric part (The Other) functions almost as an alternate personality. The two fight and clash, and when she blacks out and it takes over it's usually bad news. There's a particularly amazing bit where she thinks she's falling for a guy, is exhausted because of other things going on, and then The Other takes over. When she regains herself she realizes that The Other has done something horrible, cruel, and life-altering to the guy (and no, it isn't turning him. It's far worse than that). She has to deal with things like that all the time, along with eventually facing her human past. There are some incredibly poignant moments that balance out the gore and heavy subject matter.

Nosferatu - I love this movie. I don't know if it's because it's silent or because of the pacing and shadows, but it's so creepy. I become entranced every time I watch it. Even though it's the standard variation of Dracula, it's so interesting to watch. Once you've seen it, watch Shadow of the Vampire and you'll fall even more in love with the movie. Just watch the two back to back and enjoy your afternoon.

Dracula by Bram Stoker - maybe not the first, but the most well-known. While the letter format gets to me sometimes when reading it, the story is entrancing and fascinating from all viewpoints. All the characters, whether it's Mina, Lucy, Renfield, Van Helsing, or Dracula, himself, are memorable. There's a reason this jump-started the genre.

I am Legend by Richard Matheson - Read the book. The book has a point, and one that will leave you thinking for a while. The most recent remake destroyed the whole point of the book by changing the ending. The isolation of the main character combined with the exploration of humanity versus other are really great elements of this one that no action movie can replace.

The Hunger - The opening scene that cuts footage of Miriam and John seducing prey at a club to a ravenous monkey will immediately implant itself in your brain. The ankhs used is a fascinating substitute for teeth, and all the different types of relationships and possessiveness explored between the characters is awesome. This one also gets kudos for bringing in an aging element to a genre that rarely deals with the concept of the preternatural characters growing old or dying.

30 Days of Night - I've only seen the film, but I love the stark imagery, love the claustrophobic edge that just grows as the characters are hunted. This is truly a unique idea. Even though the vampires are seen as creatures, there are still hints of something there. They can still communicate, plot, and manipulate. They're not animals by any means, and even speak in their own language. There must be something there for Marlow to put Iris out of her misery at one point, and although these aren't the same as the modern vampires we're used to, you can see that they're thinking, feeling beings.

Daybreakers - I love the production design of this film so hard. This is completely believable as a vampiric world after the food source is dwindling. This is something that actually deals with vampires trying to make a blood substitute instead of one already existing. It also pits human aspects against vampire characteristics when family members of both types are thrown together. In so many books and movies vampires are seen as the enemy, but in this world the vampires are in charge and argue the pros and cons of human vs. animal blood, what humans are actually for, and the actual desire for finding a cure for vampirism vs. a blood substitute in a world like that. It's bold in a lot of ways, and while I question some of the logistics of the ending, it's mostly a really satisfying movie.

American Vampire by Scott Snyder and Rafael Albuquerque - This series blew my mind when I started reading it. It's innovative in so many ways. First, vampire powers differ depending on the origin of the vampire, so there are countless types of these creatures with varying degrees of sentience and effectiveness. Then you have the different arcs playing out - the creation and progression of the slaying group The Vassals of the Morning Star, which heavily features the Book family legacy. Then there's the creation of Skinner Sweet, the first American vampire. This dude is so vile, so conniving, so vicious, and so hilarious...it's one of the few vampire characters that make me cringe and laugh out loud. He does what he wants when he wants. An outlaw and master manipulator as a human, this guy is perfection as a vampire. What's also intriguing is that each volume highlights a different era of American history, some of them really surprising. Skinner turns wannabe-starlet Pearl in the 1920s after she's nearly eaten by a group of Hollywood vampires. He shows up again to cause havoc in 1930's Las Vegas. There's the obligatory WWII plotlines and some really fun stuff set in the 1950s with a greaser slayer. I adore the character of Pearl and her struggle to hold on to her human husband and some sense of who she is, all the while fighting her attraction and revulsion to her sire. The plot lines weave in and out of each other in interesting ways, and this series has found intriguing ways to explore not only vampires and periods in history but issues like revisiting your past, racism, what it means to be human, and so much more. And then Dracula shows up. At times it's a little hokey, but then it tears your throat open three pages later, so it's a great blend.

So what about you? What vampire titles or films get your fangs showing?

And don't forget, if you're looking for an intriguing vampire story, there's this one of mine...



Like many young men at the end of the 1800s, Bill signed on to work in a logging camp. The work is brutal, but it promised a fast paycheck with which he can start his life. Unfortunately, his role model is Big John. Not only is he the camp’s hero, but he’s known for spending his pay as fast as he makes it. On a cold Saturday night they enter Red’s Saloon to forget the work that takes the sweat and lives of so many men their age. Red may have plans for their whiskey money, but something else lurks in the shadows. It watches and badly wants a drink that has nothing to do with alcohol. Can Bill make it back out the shabby door, or does someone else have their own plans for his future?

Wednesday, May 14, 2014

Lumberjacks, Vampires, and Writing What You Know.

'Write what you know' has to be one of the most-given pieces of writing advice in the entire history of the craft. I remember really hating this as a teenager. I mean, what had I done in life? All I wanted to do was crank out some story so I could pass some class or another, and they wanted me to write what I knew and slant it to some theme or assignment that I couldn't even choose? Bleh. I knew nothing in the scheme of things except living in what I perceived to be a boring town and going to school. As I grew I still remained somewhat ruffled about this piece of advice, even as I wrote for fun, because I liked writing speculative fiction and there's no way you can "know" that sort of thing, right?

Yeah, I can be an elitist idiot that takes things literally at times. 

Now, I realize how lucky I've been to have the experiences I've had - no matter how mundane. Every little interaction, every emotion, every experience is fodder for something and has the potential to be magic. Plus, I consider my insatiable curiosity one of my better traits. Both come in handy when I'm writing fantasy and horror. Don't believe me? Let me explain (Come on, you had to be expecting this, otherwise it would be a very short and pointless blog entry).

As a kid I harbored a deep and burning grudge that my parents got to pick our summer vacation choices. I was convinced I must have been a serial killer in a past life. As we cruised down the American highways I would always collect brochures at rest stops and dream of what it must be like to have parents who loved me. After all, only heartless maniacs would pass up waterparks, amusement parks, giant malls, pointless roadside attractions, and other obvious vacation spots for every historical site that could possibly enrich my mind and raise my history grade (that didn't need raising, thanks). I would sigh and fondle over those brochures and hope against hope that Gettysburg was closed during the week or maybe every worker in every historical site in Philidelphia would go on strike or something. 

To be fair, this resentment usually lasted a couple of days until we were actually well into our vacation. It probably didn't help that we were crammed into a small tent trailer and at least one of my parents has an overpowering sense of humor that does not do well in enclosed spaces, especially when paired with a kid who wants to read or listen to music or sleep and dream about whatever power ranger is dreamiest or something (Who knows. That was ten million years ago). 

Eventually, though, I would lighten up and enjoy myself. Truth be told, we probably shouldn't have done most of the Revolutionary and Civil War battle sites in the same trip; to this day I still tend to get a lot of them mixed up. There is also the story embedded in family folklore about the time when I was like four and we went to Mesa Verde and somehow everyone thought it was a good idea to go on a tour that involved actually climbing ladders and hand and foot holds up the canyon walls and across the pueblos. (Also to be fair, these were fenced in and I was flanked by both parents and the park guide. Still, retelling this story is guaranteed to give my relatives heart palpitations). There were other adventures I was probably guilty of - the same trip out west might have involved a trip to the dinosaur museum in Utah that featured a dig site at the time and because I saw it on Reading Rainbow I may have tried to make a break for it so I could climb up to the fossils and be at one with the dinosaurs (hey, they let Levar Burton do it on TV...). There may have been one museum visit in Peoria where we stayed right up until closing and I may have been almost locked in with an exhibit of an exposed burial mound that revealed hundreds of exposed skeletons. To this day I remember the panic of trying to find the door as the minutes ticked down until five, caught between the vertigo of an outdoor balcony that was fairly high up, and the madness of having to walk right by this gigantic room full of exposed full skeletons. I was eight. When I read the Bradbury story "The Next in Line" I actually broke out in a cold sweat remembering my own experience. 

By the time I was a pre-teen, though, I began to get fascinated with some of the mundane aspects of history. I really liked hearing about what it was like in the everyday life of different Native American tribes or the colonists before the Revolutionary War. I liked learning about miners, and to this day some of my favorite books are by Laura Ingalls Wilder (including her journalism collection and her diaries). Admittedly, though, my mind tended to wander and I was always adding my own flair to things. I remember distinctly during the Philadelphia trip wondering what it would be like if the displaced ghost of Benjamin Franklin was the one giving us the tour, and I probably added my own flair to many other trips that I'm not remembering. There was at least one trip I spent sketching disturbing looking trees that Brian Froud would be proud of. Still, there is something to be said for the hardcore lives these everyday people lived. The adversity they had to put up with is incredible. When I read about pioneers, the Dust Bowl, or any number of hardships that make up American history, I'm humbled. I mean even back as a teen I recognized that I was a huge wuss. It also doesn't help that part of my family history has had books written about it, which just goes to prove that I am a definite wuss and a disgrace to all those that came before me who could survive in the wild in subzero temperatures without even a blanket and walk away like it was nothing.

So it probably isn't a huge surprise that I would still be fascinated with reading about the everymen of American history: the miners, farmers, pioneers, laborers, and lumberjacks. I remember reading the books of Lilian Jackson Braun, who also tends to gravitate to similar topics (though without the ghosts and evil trees), in my adult years and really began to wonder if I could do something with that particular interest of mine in a speculative sense. But what?

There are many elements of speculative fiction I "know," not because I've lived them, but I am a huge geek and darn proud of it. I was perusing different educational sites about lumber camps and came across the entry "mooner." While not really defined, it referred to a supernatural creature that haunted lumber camps.

This fit in nicely with the speculative things that I geek out over...specifically, vampires. I love vampires. I love reading new takes on them, I love the movies, I love the folklore. Not everything vampire is good, and I appreciate when people know the mythos and work with it instead of against it. Barring this, I like when people use vampirism as a metaphor or backdrop for something else. I'm not one of those who outright prefer evil vampires over vampire romance or urban fantasy smooth criminal vamps over mindless feeding corpse-like vamps or old school Dracula/Gothic types. If it's done well, if it works, then I'm willing to give it a chance. Still, I like my vampires to use their teeth, and I think playing the moral grey area is always interesting. I think there can be romance mixed in with bloodshed, there can be mindfulness mixed in with a hunting mindset. It's the contradiction that makes things tense, and it's the knowledge that you're never going to win against something like that that makes the genre so full of possibility.

While maybe not an obvious choice, I like the use of vampires as metaphor, the thought of them being like Nietzsche's superman, but with teeth. I also like thinking about what happens when a normal person is tossed into that type of lifestyle and has to make reason of all the horrible things they're expected to do to survive (or is it any worse than any other pioneer trying to survive in an unsettled country?). 

That time period and life in the lumber camps was hard enough as it was...what if there was something bigger and badder than the strongest lumberjack? What if there was something to balance out all the shenanigans that tended to go on in the saloons during the weekends? What if there were motives bigger than the obvious, a subtle game being played, although it could never be won? It was an intriguing thought, and when put together with the historical aspect, I suddenly had a really interesting concept. Not only that, but the blend of bad boy lumberjack, innocent newcomer, well-meaning townspeople, and this sense of "other"...well that was too good to pass up.

Now I still had to look up things, I still had to do my research. Still, I can't help but think this story would never have come about if I hadn't gravitated to my own love of history and tendency to warp things to my whim (As you can imagine, my parents just love knowing what was in my head during all those family trips). 

Curious to see how all of this could come together? Well you'll just have to read the book to find out!



Like many young men at the end of the 1800s, Bill signed on to work in a logging camp. The work is brutal, but it promised a fast paycheck with which he can start his life. Unfortunately, his role model is Big John. Not only is he the camp’s hero, but he’s known for spending his pay as fast as he makes it. On a cold Saturday night they enter Red’s Saloon to forget the work that takes the sweat and lives of so many men their age. Red may have plans for their whiskey money, but something else lurks in the shadows. It watches and badly wants a drink that has nothing to do with alcohol. Can Bill make it back out the shabby door, or does someone else have their own plans for his future?

Tuesday, August 13, 2013

SK Presents: HUNTRESS!

Good morning, Darlings!

I'm a little slow on the uptake this time around. Between conventions and new books real life deciding to crash in on me from twenty different angles, I can safely say I've been a bit busy. No matter... just because I haven't been around to run my mouth doesn't mean I haven't been working hard to bring you the best thing since Sliced Beatles.

[If anyone other than Selah or Lexxx gets that reference, you get a cookie. They already know where it came from.]

So I wrote Huntress a good long while ago, but never really did much with it. I wasn't sure it would work, you know. It was a little different, and a whole lot strange. It was erotic without being crass, and with the market as it was, I wasn't sure it would sell.

But enough of that... take a look and check out the Q&A!






Q&A:
HUNTRESS by SIOBHAN KINKADE
Paranormal Romance

1. Who has Vanessa hot under the collar?

2. What’s the house rule?

3. Something happens when she follows the rule. What is it?

4. What happens when Stefan gets involved?

5. Does she get what she wants? How?

BUY THIS BOOK: MMP Store | Amazon Kindle Store





South Carolina native Siobhan Kinkade has been writing for fun since she was a child and still enjoys building worlds across the romantic fiction spectrum filled with strange twists and happy endings.  With five novellas, one novel and three short stories under her belt, she brings to the literary world a unique blend of humor, emotion, and wild ideas filled with dark themes and strong characters. In addition to writing she is also a voracious reader, wanna-be chef, and video game addict with two full-time jobs: administrative and social media professional, and mom to a precocious toddler with an affinity for computer keyboards.


Sunday, July 14, 2013

Tackling Another Writing Prompt and The Other Man is Out!

Greetings all! Last month, I interviewed the amazing fantasy writing Wynelda Ann Deaver. This month it's my turn to be in the hot seat by replying to a writing prompt she gave me. And what a writing prompt! I'll highlight the prompt in bold and then try to go from there.

***

A zombie, a vampire, a werewolf, and a druid are in a bar. Bottles and glasses sit before each, though they're just a pretense, an excuse for being there. What they're really after cannot be found within the confines of a mug or bottle, cannot be found within the buzz of alcohol. They give the appearance of jocularity and conversation, but they are all on the hunt. All have their senses attuned to the goings-on around them in the little dive.

"What about that one?" the werewolf asks, nodding to a long-legged brunette. She's already been approached by a businessman who's attempting to teach her how to play pool. She already knows how, but she lets him go through the motions. The wolf wrinkles his nose in derision at the tableau. He's already transformed, doesn't even try to hide what he is. No one cares in this place.

"No," the vampire growls after a look up from his phone. "Not enough brain cells if she's led that easily." He goes back to texting, unimpressed.

"Wonder what she's doing here," the druid remarks from the depths of his hood. "She doesn't seem the type. Not for this place." He doesn't look at most of those in the bar, not because the fabric blocks them out, but because there's no reason to. Very few even care about the old ways anymore, and the old ways are what he's bound to.

"Uuuuuugh," the zombie agrees.

"A lot of new blood here tonight, at least," the vampire points out. It's so hard being referred to as just 'the vampire,' but for the moment, that's all he is. That's all any of them are: a type, a creature, a possibility. He wonders if those that come in feel the same way about themselves or if they know the power they have. A shifter who's currently in the form of a large, sleek panther struts by with a petite blonde and it's hard to ignore the smug smirk on the lucky bastard's face.

"I wonder if this is how they feel when things pass them by," the wolf grunts, also distracted by those pairing off. A mermaid clings to a guy that looked to be in college, and a gorgon giggles at the end of the bar with a doctor.

"Who knows how they feel. It's impossible to know when we're at their mercy," the druid replies with a tired, exhausted sigh. "You guys are popular, at least. Who's going to actually take a look at one such as myself?"

"That's why you stick with us," the vampire insists. "Someone's bound to notice you with us." It was only mildly comforting. After all, all of them were shadows of what they should have been, their colors pale and faded against the ambiance of the bar.

"Gnnnnnggggggh," the zombie sighs and scratches an ear. It falls off into his drink, but he fishes it out, wrings it off, and smacks it back onto the side of his face.

"He's right. We've been here way too long," the werewolf mutters, digging into the matted fur on his forearm. Boredom sucked, but fleas really sucked.

"You want to try another bar then? Do you even know of another place that caters to our kind?" the vampire challenges. His eyes wander as a redhead who looked like she'd fallen out of a mall's goth store strides by, eyeing the pickings. Her blue gaze wander over them briefly, but she keeps moving. She perks as soon as she sees the resident elf rockers setting up and wastes no time going over there under the pretext of offering help.

"Coulda told you she wasn't into any of us," the druid snipes, then straightens. "Over there."
Everyone at the table turns, and the robed one shakes his head so fast, he nearly loses his hood. "Don't look all at once!"

"Maybe," the werewolf admits, and tried to lean back in his seat, all cool and confident as he flashed the grin his muzzle would allow. "She looks intelligent, at least."

"Definitely," the vampire hisses and stands, then sits back down. "Should I go over there?"

"Nnnnnnnngh!" the zombie snarls and tries to get to his feet. It had been so long, though, he only wobbles forward.

"He's right. Who says she's lookin' at you?" the werewolf challenges, ears flattening.

"I'm a vampire," the undead replies. "Isn't it obvious?"

"Being a vamp ain't enough anymore!" the were rants. "We've all been waiting just as long. You can't assume-"

"Uh, hi there," a soft, tentative voice says. It's the girl they were discussing moments before. She's not in cocktail wear, not falling out of a camisole or sporting a miniskirt. If anything, her t-shirt and jeans are typical and boring. She shoves her glasses up her nose nervously and tucks a strand of hair behind an ear. "I've never done this before, but I couldn't help but notice you..."

All four at the table perk, nearly falling over each other to get to their feet, drinks knocking over and long since neglected. They give each other 'told you so' looks and wait.

"Nnnnrrruuuughgh....?" the zombie finally asks.

"Yes, which one of us were you talking to, my dear?" the druid asks. It's been a long time since he's had to be smooth, but if it means moving beyond pleasantries, he'll do his damnedest. He smooths his robes, fussing with the ornate embroidery that he's never noticed there before.

"Chicks love weres," the wolf insists and puffs his buff chest out, though it's hard to see his definition under the gore and hair. He frowns and glances down. Was that blood there a minute ago?

"No, vampires are always going to win out on that one," Lucien insists, and is startled to realize that he finally has a name. The leather gear he's suddenly dressed in intrigues him. He wouldn't have pegged the girl for those kind of thoughts. He flashes a dazzling smile down to his fangs and his long auburn hair moves as he approaches her. "Isn't that right, beloved?" He's startled by the mix of young and old, wonders just what's going on in that head of hers.

"Gentlemen, isn't it obvious by our current transformations?" Bob Amberson, once a rebel against the viral project his goverment team was testing, now a zombie cuts in and the others blink to see that he already had the girl by the hand. His rotting teeth curve into a pleased grin and his patches of hair wobble with his head. His suit is musty and worn, his body decaying, but that doesn't put the girl off at all.

"Actually, I was thinking all of you...if that's okay," she explains, a faint blush on her cheeks. "I don't know if it's conventional or if I'm supposed to do this, but...well, I want what I want," she whispers, dark eyes flicking down to the floor, then back up. "And I want all of you."

Their breaths catch. Of everything they'd assumed and had planned, this was a development none of them saw coming. "Are...are you sure?" Lucien asks, suddenly unsure if he can live up to the demanding task.
He shares a glances with Cal the wolf (when did he know his name was Cal?) and sees the same hesitation in his eyes.

"Are ya sure you can handle all of us?" Cal barks, and looks down to the stained denims and motorcycle jacket he's now wearing. His coloring has come back and he looks to have grown a couple of feet, making him even more lethal, more dangerous.

The girl smiles calmly, though her eyes dance behind her glasses. "Oh, I think I can. There's nothing I love more than a good idea, and you, gentlemen, are some amazing ideas. You'll be phenomenal characters for what I'm planning," she breathes.

Ulhane the high priest of the lost forests of Yerna bows low and takes her other hand. "Then it is our pleasure to accomodate you, young one. You obviously have a deeper understanding of us that even we did not see at first."

They walked out in a little group into the night leaving behind Inklings, the bar that catered specifically to ideas without a home and the authors that look for them.

***
Like? Loathe? Not sure what you just read? Let me know! And if you're looking for something to read, I just happen to have a new release out this week!




All Andrew wanted was the typical American dream: a good career, a nice house, and a loving family. Instead, he has a dead-end job, a cramped apartment, and children who remind him of creatures out of a sci-fi movie. He’s also well aware that he’s not the only man who inhabits his wife’s thoughts and daily life. How can he put up a fight when he’s reminded of the competition every time Bethany turns on the CD player? After one eventful evening meal when expectations, disappointments, and secrets collide, life will never be the same.


Thursday, September 27, 2012

Triple the HOT for you: Three to Tango by Alexandra Christian

Congratulations to Alexandra Christian on her new release, STRANGE BEDFELLOWS: THREE TO TANGO.  This is the first in a series of stories located at a very special club--with a red door.

Blurb:"...vampires can be dangerous to your health.”

A truer statement had never been uttered, but when Cali stumbled upon The Oubliette, she began to realize the wisdom in those words. Broken-hearted and bored, Cali’s life had become a string of TV dinners and romance novels. She wondered where her life was going until she followed the mysterious stranger through the red door and entered a world that few would ever know existed. A world of vampires, werewolves and pleasure beyond imagination. Within the walls of The Oubliette, Cali will embark on a dangerous and sensual journey of discovery that will change her life forever.

Read an excerpt here.

This delicious tale is available at ARe, Amazon and BN. Don't forget to see our other erotic paranormal stories at our Mocha Memoirs Press website. 



Wednesday, July 18, 2012

31 Days of Steamy Mocha: Naomi Jones' Say the Word

Our 31 Days of Steamy Mocha continues to smolder and burn into WEEK THREE. These steamy and erotic romance stories contain elements of mocha, memories, or both.

Naomi Jones is such a giver, she wrote two stories for our anniversary celebration. She gave us two sexy, vampiric gifts. The first story, in case you missed it, AFTER MIDNIGHT DELIGHT is in the same series as this new one, SAY THE WORD.

Purchase Link: http://mochamemoirspress.com/say-the-word-31-days-of-steamy-mocha
Cost: $1.00 promotional

 

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YOU CAN WIN TOO WITH OUR EVERY DAY GIVE AWAY!

Each day we'll give away a gift/prize. All you have to do is give a comment on our blog for today's $1.00 Steamy Mocha shot. We'll put your name in a drawing and pull out the winner. We'll announce the winner on tomorrow's blog. So, start posting and grab your copy of SAY THE WORD, today!


7/17/12 Winner is Gynger Fyer
Please email your legal name, address, and yesterday's date, to Nicole Kurtz at mailto:mochamemoirspress @ gmail.com *removed the spaces*

Tuesday, July 10, 2012

31 Days of Steamy Mocha: Naomi Jones' After Midnight Delight

Week Two of our month long celebration of our anniversary continues. Our 31 Days of Steamy Mocha adds our own level of heat to the sweltering July weather. These steamy and erotic romance stories contain elements of either mocha, memories, or both.

Naomi Jones, an amazing author of fast hot stories, brings us to a cafe unlike any we've seen thus far in our celebration. This cafe caters to both humans and vampires alike, but be careful what you get from th menu.

Blurb: Today was the big day for Newlyn’s mate. Hoping to get some morning sex he was politely denied, but was promised and evening he wouldn’t forget. Makai sat in the cafĂ© quietly celebrating how successful her art show was. Until the sight of her mate walking in set her body on fire.


Genre: Urban fantasy, vampires, interracial erotic romance
Price: $1.00
Purchase link: http://mochamemoirspress.com/31-days-of-steamy-mocha-after-midnight-delight



*Note, 1PlaceforRomance hosts our shopping cart. It's easy to purchase, just create an account and download from there.





 YOU CAN WIN TOO WITH OUR EVERY DAY GIVE AWAY!



Each day we'll give away a gift/prize. All you have to do is give a comment on our blog for today's $1.00 Steamy Mocha shot. We'll put your name in a drawing and pull out the winner. We'll announce the winner on tomorrow's blog. So, start posting and grab your copy of AFTER MIDNIGHT DELIGHT today.

7/09/12 Winner is The Cinnamon Chocolate Dreamer
Please email your legal name, address, and yesterday's date, to Nicole Kurtz at mailto:mochamemoirspress @ gmail.com *removed the spaces*