Hello, from the snow.
Boston is snowed under and plowed under.
Temperatures swing wildly between rain and black ice to sub-zero cold
that pierces like a hundred needles. ‘Hope
it’s better wherever you are.
So, this is Women in Horror month. Alexandra Christian has said she looks
forward to a time when no consideration will be given to whether a horror
author is male or female. But, perhaps
the form horror takes, in subtle ways, is a reflection of the current state of
our culture. Perhaps most deeply felt of
all, in male vs. female perspectives.
The differences aren’t always obvious, but one can’t expect a writer’s
perspective on the world and its darkest corners not to be shaped by the
attitudes that writer encounters in life, and how he or she connects with life
in general. How and to what extent that
difference in perspective manifests in a story is hard to define.
To cite two classic examples of horror: “Frankenstein,” a horror novel written by a
woman, depicts the horror of what happens when a man tries to control life and
ends up creating his own destruction when he finds he can’t. He can’t offer unconditional love, he must
control, and so is doomed. “Dracula,” a
horror novel written by a man, takes a very different perspective. The enemy is ancient and foreign, reaching
out from a shadowed corner of a benighted, still-pagan land to despoil the
enlightened west. Men take control and
save the day by destroying the evil and saving the women it tries to claim.
Oversimplified of course, but you take my point. Darkness has an essence of its own and is
pretty much the same for all of us. But,
how we approach the darkness at its edges depends greatly on what we feel on a
primal level, and on what artificial paths society carves out for us and how we
navigate them in coming of age. That’s true in art and music as it is in
fiction. Christina Perri brought her haunting
melody “Jar of Hearts” to life in a smoky, sexy, visceral video showing a woman
taking back her heart from an alluring ex-boyfriend who is a kind of warlock or
incubus, sucking the life out of the women he seduces. A man couldn’t write a story like that, at
least not as effectively. And, it couldn’t
resonate as effectively with a male audience.
I remember when the film “Thelma and Louise”
came out. Men were furious that they
were being depicted as the enemy. That
film forced society to take a hard look at the everyday horrors and indignities
suffered by women from a woman’s perspective.
It was a cultural milestone in the action/adventure genre. I suppose we’ve yet to see a film or novel
that has a comparable impact in the horror genre. I guess no horror author has crossed the
decisive line yet. Maybe that’s the
challenge.
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